Everyday Creation

Always a Writer at Heart

Kate Jones Season 2 Episode 118

Patricia Falvey had a successful 30-year career in accounting, yet what she really wanted was to become a full-time writer. After taking a leap of faith to pursue her dream, she's happier and already has had five books published: "The Yellow House," "The Linen Queen," "The Girls of Ennismore," "The Titanic Sisters," and her latest, "The Famine Orphans." All five novels have a connection to Ireland, where she lived with her grandmother until she was about 8. 

This episode is an excerpt from a longer interview. To hear more, go to the full interview titled "Author Patricia Falvey on Being Brave, Resilient, and Focused on Your Dream." To listen to Falvey's descriptions of her historical  novels, you can go to Episode 117 titled "Five Books and Counting: the Novels of Patricia Falvey."

Two other excerpts will be published later this week: "Goodness, Resilience and Paying it Forward" and "The Courage to Pursue Your Second Act."

To learn more about Falvey's books, visit patriciafalveybooks.com. And if you read one or all, please write a review.

This is Kate Jones. Thank you for listening to Everyday Creation, available on YouTube and in podcast directories including Apple, Audible, iHeart and Spotify.

Patricia:

00:00:00.080 --> 00:00:01.840
Writing goes way, way back for me when

00:00:01.840 --> 00:00:04.160
I was a very little girl, about 4

00:00:04.160 --> 00:00:06.000
or 5 years old. I never had any

00:00:06.000 --> 00:00:07.760
trouble going to bed because I used to

00:00:07.760 --> 00:00:09.780
tell myself serialized stories,

00:00:10.160 --> 00:00:11.600
and I couldn't wait to go to bed

00:00:11.600 --> 00:00:13.680
to find out what happened next. I was

00:00:13.680 --> 00:00:14.180
always,

00:00:15.135 --> 00:ee00:15.635
always interested in writing.

Kate:

00:00:16.095 --> 00:00:18.975
 You would be lying

00:00:18.975 --> 00:00:20.675
in bed as a little girl thinking

00:00:21.055 --> 00:00:23.295
stories in your head or actually telling them to yourself? 

Patricia:

00:00:23.295 --> 00:00:26.415
Telling myself the story of the

00:00:26.415 --> 00:00:28.620
little girl and what she was doing and

00:00:28.620 --> 00:00:31.260
what her adventures were and what was happening

00:00:31.260 --> 00:00:33.500
next and what friends she met and all

00:00:33.500 --> 00:00:35.580
that stuff. Yeah. I was having

00:00:35.580 --> 00:00:37.660
a good old time in my head. 

Kate:

00:00:37.660 --> 00:00:38.800
That is so charming.

Patricia:

00:00:40.460 --> 00:00:42.560
So I was born to do this anyway.

Kate:

00:00:42.860 --> 00:00:43.360
Yes.

00:00:43.715 --> 00:00:47.095
You write historical fiction novels. So

00:00:47.395 --> 00:00:48.055
why that

00:00:48.435 --> 00:00:49.575
particular genre?

Patricia:

00:00:50.435 --> 00:00:52.135
Don't know. I've always been interested

00:00:52.755 --> 00:00:53.575
in history.

00:00:53.955 --> 00:00:56.275
I always liked history. I don't know.

00:00:56.275 --> 00:00:57.815
Because to me, they were stories.

00:00:58.420 --> 00:00:59.720
You know, they are stories.

00:01:01.460 --> 00:01:02.600
Well, first of all,

00:01:03.380 --> 00:01:06.100
the connection with Ireland is still very big

00:01:06.100 --> 00:01:08.360
for me. And I think it goes back

00:01:08.740 --> 00:01:11.205
to that point at which I always said

00:01:11.205 --> 00:01:13.365
if I were ever to write a memoir,

00:01:13.365 --> 00:01:15.125
I might start it with, "I was 8

00:01:15.125 --> 00:01:17.045
years old when the mother came and stole

00:01:17.045 --> 00:01:17.545
me"

00:01:18.005 --> 00:01:18.505
because

00:01:19.365 --> 00:01:21.845
that is really what happened. I was pulled

00:01:21.845 --> 00:01:22.345
away

00:01:23.380 --> 00:01:25.960
from the only place I knew, the only

00:01:26.180 --> 00:01:28.840
quasi mother that I knew. And

00:01:29.380 --> 00:01:31.160
to this day, I still

00:01:31.780 --> 00:01:34.500
have that thing. It's a lot better now

00:01:34.500 --> 00:01:36.420
because I've spent a lot more time over

00:01:36.420 --> 00:01:38.675
there and so forth. But it

00:01:38.675 --> 00:01:41.655
was that rupture that just never seemed to

00:01:41.715 --> 00:01:43.875
to heal. And in a way, my writing

00:01:43.875 --> 00:01:46.595
about Ireland is part of channeling that to

00:01:46.595 --> 00:01:47.095
kind of

00:01:47.555 --> 00:01:48.055
reconnect

00:01:48.755 --> 00:01:51.895
with my own history and my family's history,

00:01:52.275 --> 00:01:54.667
Irish history. That's what I'm drawn to.

People on this episode